Calling Out the Catalogue

Romani Singers in an Archive of English Folk Song

Authors

DOI:

https://doi.org/10.52413/mm.2024.25

Keywords:

Romanies and Travellers, music archives, English folk song, politics of representation, music heritage

Abstract

The implicit and explicit silencing of Romani and Traveller voices in museum and archive collections, and in the wider narrative of British history, has been increasingly recognised over the last decade (Matthews 2015). In the pursuit of decolonising museums and archives, however, institutional recognition of the significant contributions of Romani and Traveller peoples to the traditional music heritage of the UK and Ireland has largely been absent.

Throughout the 20th century and increasingly since the 1960s, folk song collectors around the British Isles have turned to Romani Gypsies and Travellers in search of traditional songs and music. Hamish Henderson, Ewan MacColl, and Peggy Seeger, amongst others, admired Romani and Traveller singers for preserving what collectors perceived to be native song traditions.  Recordings of Romani Gypsies and Travellers, held in national and regional sound archives, have had a lasting impact on folk repertoires in the UK and Ireland. However, the incorporation of such recordings into specialist collections has tended to erase Romani and Traveller identities. As the cultural and ethnic backgrounds of the singers are rarely acknowledged in the catalogues, and are searchable only with specialist knowledge, their songs are implicitly added to the canon of English, Scottish or Irish folk music. The songs are thus co-opted, not to tell Romani Gypsy and Traveller stories and history, but those of a majority population.

This article addresses specific issues pertaining to an English archive collection held at the Vaughan Williams Memorial Library in Cecil Sharp House, London. Recognising the precariousness of funding that many specialist collections face, we do not simply critique a lack of progress regarding representation. Instead, we outline how Romani and Traveller communities might collaborate with archivists, cultural events organisers, and universities, to connect archival collections with various publics in England today.

Author Biographies

Hazel Marsh, Faculty of Arts and Humanities, University of East Anglia, Norwich, United Kingdom

Hazel Marsh is Professor of Cultural Politics at University of East Anglia, UK. An interdisciplinary researcher, her work focuses on issues around social and cultural justice, the politics of representation, and struggles to recognise and assert the dignity and value of ‘minoritised’ cultural and social identifications. Her research experience includes Venezuela, Mexico, India, Colombia, Brazil, Peru, and Britain.

Esbjörn Wettermark, Department of Music, University of Sheffield, United Kingdom

Esbjörn Wettermark is a Research Associate in the Music Department at the University of Sheffield, UK. With a background as a musician, arts manager, and ethnomusicologist, he is currently working on issues surrounding participation and inclusion in the English folk scene, his research experience also includes work on cultural sustainability in Vietnam and rural music making in Sweden.

Tiffany Hore, Vaughan Williams Memorial Library, London, United Kingdom

Tiffany Hore is the Director of the Vaughan Williams Memorial Library and its attached archive at the English Folk Dance and Song Society in London. As custodian of England's national folk archive, she has written on Vaughan Williams and spoken at conferences in the UK, Ireland and Italy. She has also organised international conferences on diversity in folk, re-inventing tradition in folk dance, song collecting, and Vaughan Williams and folk.

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Published

2024-11-27

Issue

Section

Special Collection "Contemporary Views on Romani Music and Romani Music Studies"